Вступление
[Intro]
Em9 F#m7 Em F#m7 Ebm7-5
[Verse 1]
Em9
It's one hazy panoply
F#m7
Recount this halcyon age
Em9
I turn to Anthony
Ebm7-5 F#m7
When he turned to Karleinz and Cage
[Verse 2]
Em9
But no one's really there
F#m7
Does that mean it's done in vain
Em9
If no one really cares
Ebm7-5 F#m7
I'm back to acting strange
[Pre-chorus]
Em9
Like Daniel Johnston in Texas
F#m7 Ebm7-5
At some point in the eighties
Em9
Passing out his cassettes with
F#m7 Ebm7-5 Em9
The j-card that he drew oh did he ever expect it
F#m7 Ebm7-5 Em9
I guess it's just what happens when the music's a respite
F#m7 Ebm7-5 Em9
The world is so appalling and you come to detest it
[Chorus]
D/F#
And you could say that I was nervous then
F#m/E
Fairly awkward now
Bm
Leave the speakers loud
C#m7-5
When you feel self doubt
D/F#
If there's any chance
F#m/E
That we'd still hang out
Bm
We could detail dreams
C#m7-5
While we stare at passing clouds
[Verse 3]
Em9
Those modal masterworks
F#m7
Atonal oeuvres it seems
Em9
When I ask afterwards
F#m7 Ebm7-5
All message lost inbetween
Em9
The shifting aperture
F#m7
Depicting sun-soaked scenes
Em9
I guess they resonate
[Pre-chorus]
F#m7 Ebm7-5
That's Universal Consciousness
Em9
Take two of Ascension
F#m7 Ebm7-5
The Shape of Jazz to Come and
Em9
Laurie Spiegel's inventions
F#m7 Ebm7-5 Em9
O'Rourke or Zorn and Oliveros all deserve mention
F#m7 Ebm7-5 Em9
You're dancing in a room and no one's paying attention
[Chorus]
F#m7 Ebm7-5 D/F#
Addressing my reception with a focused eye
F#m/E
To the passing clouds
Bm
I'll be there for you
C#m7-5
When you're feeling down
D/F#
Any given day
F#m/E
You can find me 'round
Bm
In a despondent way
C#m7-5 Em9
In a study best called brown
[Outro]
Em9 F#m7 Em F#m7 Ebm7-5
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E
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Em
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F#
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Bm
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Em9
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F#m
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F#m7
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C#m7-5
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Ebm7-5
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